-1- -2- -3- -4- -5- -6- -7- -8- -9- -10- -11- -12- -13- -14- -15- -16- -17- -2- "Then there's a gasp from the spectators, a murmur, perhaps of puzzlement, and a moment of intense expect- ant silence. Then at a roll of the drums Goldberg snaps the long whip and Abramovitz translates the owner's idiocy into something that makes sense and somehow fulfills expectations; though in truth it's no more than a question following a response already given." ° ° ° "Then they laugh. And do they laugh! They pound each other in merriment. You'd think this trite riddle, this sad excuse for a joke, was the first they had heard in their lives. And they're laughing at a translated question, of course, not the answer, which is the way Goldberg has set it up." ° ° ° "'It was a joke, master,' Abramovitz explained. 'To say the answer was o.k., but not to ask the question by yourself.' Out of stored up bitterness the talking horse replied, "I did it on account of it made me feel free.' At that Goldberg whacked him hard across the neck with his murderous cane. Abramovitz, choking, staggered but did not bleed. 'Don't, master,' he gasped 'not on my old wound.' Goldberg went into slow motion, still waving the cane."
--from TALKING HORSE by Bernard Malamud
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